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"In this ever-changing world, it's time for new creativity," Prada said backstage after her much-applauded show Tuesday evening, explaining the unconventional collection.

For a starter, the color palette had little to do with summer: moss green, bark brown, maple red and blueberry. Unlike the folksy gals which many designers are proposing for next summer, Prada's models seemed unreal, with their pale skin, braided hairstyles and figures camouflaged in loose-fitting styles.

The show's decoration — murals with naif paintings of woodland creatures — hinted at a fairy tale theme. Wrong again.

"My collection is about looking forward. About a woman's imagination in our changing world," the designer said. To interpret the contemporary fantasy world, she said she went against her own tendency toward stiffness, to present a collection that would emanate softness

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Missoni's trademark chevron design was sized up and used in bands of chocolate, pale lemon and brick that bled into each other on an ankle-length loose dress.

A short, sleeveless dress in woven gold sported a hem banded in bright turquoise, like enameling. Missoni spattered a mini skirt with round spots of mirrors, or used mirrored panels at the bodice of a long evening gown.

Blumarine's models walked out against a backdrop of a typical Mediterranean port town, and sported bright sunshine colors of orange, yellow and coral.

Hot pants in acid orange jersey set off a mini polo shirt, while chocolate drop print shorts were worn with a cream cotton drill jacket.

Blumarine swept evening gowns low at the back, never compromising their elegance with immodesty. Dresses were froths of chiffon gathered and twisted into knots, left without adornment for a stunning simplicity.

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Bottega Veneta, owned by France's PPR through the Gucci Group, uses its roots in traditional Italian leather craftsmanship to bring twists to a classic look.

Designer Tomas Maier used natural colors of chocolate brown, putty, lemon and palomino blonde for his collection, adding gold and silver for highlights.

Tan leather turned into an A-line dress stopping just above the knee with a button front, or was worked into long gloves that finished above the elbow and were worn with a short-sleeved, swing back raincoat.

Earlier on Tuesday, designers Missoni and Anna Molinari's Blumarine collection had also gone for loose, flowing looks.

Missoni, known for geometric print knits, put the focus on hems, borders and necklines but kept to an emerging theme for this week's shows of flowing looks.

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Huge petals of tissue-like silk hung on the hip of a dress or were draped across the shoulders, while necklines were jigsaw-shaped and hems were uneven.

The knitted marbled trousers and tops first seen in June with menswear arrived on the women in slim-fitting trousers and skinny vests.

Amid the elegance came socks in staggered stripes of contrasting colors.

Prada's show echoed some trends from other collections, with wide-leg chiffon trousers and high, high-heeled shoes.

HIGH HEELS AND LONG SILHOUETTES

At Bottega Veneta, where the style was long, languid elegance, models stalked down the catwalk just supported on shoes with heels in the brand's trademark interwoven leather.

Dresses had wide pleats and swung loosely in linen or were structured in accordion style on one side of a full skirt.

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Prada, whose shows are seen as pivotal for fashion direction, used the themes on Tuesday of botanical prints, plaids and knitted jumpsuits she had put in her menswear spring and summer collection, shown in June.

Models with their hair in matted plaits and dark eye make up moved through a maze of green concentric seating, against a backdrop print on the walls of elves with over-ripe fruits and just over bloom flowers.

Prada swirled the botanical prints across green silk for pajama style outfits, or used a trellis design in green and white for a full, stiff skirt.

Soccer Goals

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Baseball Gloves

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Baseball Equipment

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Kids Pajamas

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Rebecca was very happy and relieved after hearing my suggestions and we are off to shop! Thanks to NFL!

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"She said 'They keep saying to me that we don't need to rehearse.' That day I showed up, her eyes were this big, her hair was out to here, and she had just learned the fight. She said ‘this is unlike anything we have ever, ever done.' It turned out to be an amazingly real scrabble."

Plus, Ben Affleck, Garner's famous husband, happened to be on the set the day that fight was shooting.

"He was visiting the set the day that we shot that fight scene. I thought it would have made him a little bit nervous to see them chucking me against the wall, harder and harder with every take," she laughed. "He was a little too calm about it, between us, I felt like he could have been a little bit more ‘My wife, you better be careful with her.' That wasn't it, he was just like ‘Go, go for it babe. Harder!'"

Garner, whose daughter Violet turns two in December, admitted that getting back into the hardcore action genre did take some getting used to; so much so that the 36-year-old ended up in the hospital during the shoot, much of which took place in the desert heat.

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Los Angeles - She's not on television as Sidney Bristow in "Alias" any more and she's given birth to a baby girl, but that doesn't mean that actress Jennifer Garner has forgotten how to kick butt. Garner proved that once again at Monday night's premiere of "The Kingdom," the new action film that premiered at the Mann Village Theater in Westwood. Garner plays one of a group of elite FBI agents (Jamie Foxx, Jason Bateman, Chris Cooper, who all walked the red carpet along with her) sent into Saudi Arabia to find a terrorist bomber.

The ensuing flick, directed by Peter Berg, is jam-packed with action, and Garner is in the heart of many of the sequences, fights that unexpectedly taxed the veteran action heroine.

"I thought it wasn't going to be much of anything. I kept saying to my stunt double, Shauna Duggins, who I've worked with for six years. I said ‘When are we going to have rehearsals for this fight scene?' We go in 110 percent prepared. I mean I could still do the fights from ‘Daredevil' in my sleep, and a bunch of the ‘Alias' ones," Garner told reporters earlier at a press conference in Beverly Hills.

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His best looks were cable sweaters with Indie album blazers, parachute silk parkas and tops with appliqué flowers. It was a collection of polish and poise and eminently wearable for both first date and lazy weekend.

Plus, the architectural tour that is any good season took a great tangent today in the Art Deco 1929 cantilevered Lawrence Hall, where Smith turned the enormous back-drop into the an artists loft, smartly reworking one of Europe's greatest concrete spaces.

Paul's shows are generally the most professionally staged in London; yet somehow today's show felt, ahem, tired; a designer going through the paces, a talent lacking a viscerally punchy theme, i.e. a slick 30 minutes with no soul.